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・ European Film Award for Best Documentary
・ European Film Award for Best Editor
・ European Film Award for Best European Co-Producer
・ European Film Award for Best Film
・ European Film Award for Best Non-European Film
・ European Film Award for Best Production Designer
・ European Film Award for Best Screenwriter
・ European Film Award for Best Short Film
・ European Film Award for Best Sound Designer
・ European Film Award for Best Supporting Actor
・ European Film Award for Best Supporting Actress
・ European Film Award for Best Supporting Performance
・ European Film Award for European Discovery of the Year
・ European Film Awards
・ European Film College
European Film Fund
・ European Film Gateway
・ European Film Promotion
・ European Finance Association
・ European Financial data Institute
・ European Financial Reporting Advisory Group
・ European Financial Services Roundtable
・ European Financial Stabilisation Mechanism
・ European Financial Stability Facility
・ European finless eel
・ European fire-bellied toad
・ European Firearms Pass
・ European Fireball Network
・ European Fiscal Compact
・ European Fisheries Control Agency


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European Film Fund : ウィキペディア英語版
European Film Fund
The European Film Fund (EFF), also known as the European Relief Fund, was a non-profit organization established by the talent agent and producer Paul Kohner.
== History ==
The European Film Fund was founded on November 5, 1938 on the initiative of Paul Kohner, Ernst Lubitsch, and Universal Pictures studio head, Carl Laemmle. Founder members were William Dieterle, Bruno Frank, Felix Jackson, Salka Viertel and Ernst Lubitsch. The Domicile of the EFF was Paul Kohner Talent Agency and president was Ernst Lubitsch, because he was the most famous European filmmaker in Hollywood. The organisation was founded because of the European emigrants who needed Affidavits, money or jobs. That’s why, Liesl Frank, Bruno Frank’s wife, worked together with the Emergency Rescue Committee.
The Fund collected and distributed money, some filmmakers donated one percent of their fees. For example Michael Curtiz und William Wyler were especially generous. Furthermore there were earnings from benefit performances.
In the early 1940s the Fund earned about $40,000. Some Persons were supported by credits, others by donations. Several beneficiaries of the EFF got jobs in the film industry (esp. at Metro-Goldwyn-Mayer and Warner Brothers)as screen-writers.〔Adorno, Theodor W./ Eisler, Hanns / McCann, Graham: Composing for the Films. Continuum International Publishing Group, 2005. p. XIII-XIV)〕
These jobs weren’t paid very well but they often were the precondition for getting visa. Many European filmmakers couldn’t repay the money, because they didn’t find well paid jobs.
''"The more clear-headed émigrés understood very soon that these salaries paid them by Hollywood were fictitious, at least when the realized that, while they earned $100 or $200 a week for completely useless work, a real screen writer earned $3,500. It was quite symbolic that once their contracts expired()."''〔Palmier, Jean-Michel: Weimar in exile: the antifascist emigration in Europe and America. Verso, 2006. p. 550〕

In 1948 the Fund was closed.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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